"Norwegian Wood" - H. Murakami.
The title tells you pretty much nothing. Even when you know
where the title comes from it doesn't really tell you much. "Norwegian
Wood" is the name of one of the main characters favourite Beatles song.
See, nothing.
So how about the back cover?
"This book is undeniably hip, full of student
uprisings, free love, booze and 1960's pop." - Independent on Sunday
What?! That has nothing to do with anything! That's like
saying "Lord of the Rings" was full of grass, the
"Godfather" was full of Italian restaurants or that "Dragon
Ball" was about a whiny teenager who wanted his granddad to teach him to
pick up girls... damn it... Dragon Ball Evolution sucked...
Admittedly, the book is set in Tokyo during the summer of
'69 and does mention the student rebellions of the time. But of the 386 pages
of story, probably only about 2 of them rely on that fact. Likewise, although
60's pop songs, the Beatles in particular, are regularly mentioned by name,
there is no real discussion of the songs and as such no real significance. They
could easily be replaced without much change in the book.
Probably the most misleading of the quote, however, is the
image portrayed by the use of "hip", "free love" and
"booze". The book has absolutely nothing to do with the kind of
flower power, shagadelic love of Austin Powers.
So what is it about?
Good question.
Although it follows a far more logical path than some of
Murakami's other novels and short stories, it is by no means a book that can be
pigeon holed. However, if a description is required it can be considered as:
"An Emotional Masterpiece."
... and no, that does not mean a typical chick flick or a love
story. It covers everything from high to low, including 4 suicides, 2
hospitalised deaths and several deep sessions of depression and whisky
drinking. Despite this, it also has some of the most adorable passages in
literature.
So let’s take a deeper look into some of the main issues of
the book.
Let’s start with death...
The shadow of death is a constant companion throughout
Norwegian Wood, the first suicide occurring within the first 30 pages, but the
feel of it really starting from page one. There is a sense of inevitability
about the fragile mortality of human existence which Murakami brings out
effectively in several ways.
For a start, the whole book is written from the view of the
main character, Toru Watanabe, who is remembering the events from 18 years
later. As such, the whole story is inevitable. There is no possible element of
surprise to the writer as he has had 18 years for it to sink in.
More than this, however, there is not really meant to be any
element of surprise to the reader. The characters who die are all spoken of
from the start in tones expected of discussions about friends no longer around.
The deaths themselves are stated as fact before any detail is given.
Also, if all of that is too subtle, Murakami spells it out.
As Toru says after one death:
"Death exists, not as the opposite but as part of life.
It's a cliché translated into words, but at the time I felt it not as words but
as a knot of air inside me."
And after another:
"No one should have to die like that."
To which the response is:
"We all have to die like that sometime. I will, and so
will you."
Everything about the book echoes the hollow, subtle, silent
sound of death, and it is from this sound where the book really gets its title
from.
"That song can make me so sad. I don't know, I guess I
imagine myself wandering in a deep wood. I'm all alone and it's cold and dark,
and nobody comes to save me."
So is this inevitability suppose to bring some strange form
of comfort? Some reduced form of anguish?
No.
"No truth can cure the sadness we feel from losing a loved
one. No truth, no sincerity, no strength, no kindness, can cure that sorrow.
All we can do is see that sadness through to the end and learn something from
it, but what we learn will be no help in facing the next sadness that comes to
us without warning."
And on that uplifting note, perhaps it’s time to look at
what Murakami has to offer on another topic: Life.
"Just remember, life is a box of chocolates."
Now, you’re probably thinking you've heard that somewhere
before, and indeed if you haven't: GO WATCH FOREST GUMP RIGHT NOW! Seriously,
what planet have you been living on? However, it is worth pointing out that
Norwegian Wood was published back in '87, 7 years before the greatness of Gump.
"You know, they've got these chocolate assortments, and
you like some but you don't like others? And you eat all the ones you like, and
the only ones left are the ones you don't like as much? I always think about
that when something painful comes up. 'Now I just have to polish these off, and
everything'll be OK.' Life is a box of chocolates."
Norwegian Wood, as with life in general, is a box of
chocolates. It has it's darker moments, but it also has its happy times, and
you can learn something from all of them.
"I get the feeling a lot of shit is going to come your
way, but you're a stubborn bastard, I'm sure you'll handle it. Mind if I give
you one piece of advice?"
"Go ahead"
"Don't feel sorry for yourself. Only arseholes do
that."
In summary then, how much do I like Norwegian Wood?
“I really like it. A lot.”
“How much is a lot?”
“Like a spring bear”
“A spring bear? What’s that all about? A spring bear.”
“You’re walking through a field all by yourself one day in
spring, and this sweet little bear cub with velvet fur and shiny little eyes
comes walking along. And he says to you, ‘Hi, there, little lady. Want to
tumble with me?’ So you and the bear cub spend the whole day in each other’s
arms, tumbling down this clover-covered hill. Nice, huh?”
“Yeah. Really nice.”
